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The singer Ava Cherry was sound asleep in her Lincoln Park home on the morning of January 11 when her phone began incessantly chiming and vibrating with alerts. "My heart just sank," recalls Cherry, who was raised in Woodlawn. I don't know why I felt that suddenly because, of course, he was married—but my remembering him from the past was just a flood of fantastic memories.Who's Facebooking me and texting me this much this early? He began my career in many ways." Though Bowie's first marriage didn't legally end until 1980, his love affair with Cherry spanned one of the late artist's most intensely creative periods, from the tail end of 1972 until 1975, during which Bowie was either touring on, writing, or recording the albums The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), Aladdin Sane (1973), Diamond Dogs (1974), and Young Americans (1975).But Joan certainly inspired some winning productions in the past.
Staged by Alex Timbers, the show was set in a disco and featured a terrific cast led by Ruthie Ann Miles.
Playing most of Love This Giant and dipping into Byrne and Clark’s catalogues, the delight was in the detail.
Wearing tall heels and taking tiny, tiny steps, Clark moved like a Nutcracker Suite mouse.
Intriguingly, as a solo artist, Byrne has embraced his own awkwardness to become a mighty live performer.
Last night’s show, which also featured Clark, a drummer, keyboardist and brass octet (including the ever-welcome sousaphone), owed a debt to Bruce Springsteen’s concerts with his Seeger Sessions Band, but two heady hours overflowed with all the magic that pop music can muster.
" "That was always one that made me really feel something," she says. At four o'clock in the morning he'd go out to work and wouldn't come home until about nine o'clock at night.